Living Divani - Notes table top in Stone Oak®

Table available in the indoor and outdoor version, with granite, smoked glass, transparent glass or glass stained blue paste (indoor and outdoor use), in wood and marble (indoor use only).
Indoor/outdoor version: base in tubular steel SOMEBODY 30 mm with junction crosspieces in steel section 80 15 mm painted with galvanizing bottom and finished with epoxy powders polyester gray gunmetal with black PVC tips.
Top in absolute black Zimbabwe granite or in white Carrara marble, black Marquinia, Sahara Noir or red Levanto, with black painted Doluflex subtop, coupled with a non-slip tape to make it adhere to the top; Under the table are anchored plates with conical invitation for centering and fixing to the base. The marble version provides a satin finish and protective transparent matt or glossy or matt polyester finish.
Top in essence, with bottom and finish with water acrylic paint, made of "sandwich" of MDF and aluminum sheet pressed and glued together, veneered in the essences in natural chestnut, chestnut stained charcoal or Stone Oak or in Striped Grey multilaminar veneer; bevelled and bottom always lacquered in the top finish.
Top in transparent or smoked tempered glass sp.12 mm or tempered glass dyed in blue paste sp.10 mm, to which are fixed, through UV bonding, plates with conical invitation for centering the same plane on the base.
All floor versions are fixed to the base by tie rods.

The table is available in the following sizes:
cm.Ø140 h.74
cm.Ø160 h.74
cm.Ø180 h.74

Massimo Mariani

Born in Florence, he studied architecture with Giancarlo De Carlo at the University of Genoa.

After graduating he joined Renzo Piano Building Workshop to collaborate on the redevelopment of the Lingotto factory in Turin and then Herman Hertzberger Architectuurstudio in Amsterdam to be involved on a number of projects in Italy, Germany and Japan.
He finally moved to London in 1998 to work freelance on architectural and urban renewal schemes throughout the United Kingdom.

Started private practice in London in 2004, focusing the activity on architecture and industrial design research.

In the following years he designed a series of furniture products for Targa Italia, Danese Milano, MDF Italia, Hitch Mylius.
His works have been presented at shows and exhibitions in Milan, Rome, New York, Shanghai, Berlin, Paris and London.

In 2011 he was awarded an Honorable Mention at the XXII ADI Compasso d’Oro for the design of modular system Vita.

Living Divani

Perfection and harmony in proportions and a feeling of understated luxury, are the company's hallmark.

Living Divani is an Italian company, founded in 1969 from an intuition of Renata Pozzoli and Luigi Bestetti, company that has made its trademark of upholstery. Characterized by perfection and harmony in proportions and a feeling of understated luxury, are the company's hallmark. Since the 1970s, the company has been tracing a precise path, establishing a dialogue with contemporaneity and becoming one of the landmarks of design. Strategic is the collaboration with Piero Lissoni, who since 1988 in the dual role of creative director and designer, orchestrates its unique style.  Moreover, the entry of the second generation, brings an additional breath of femininity and aesthetic sensibility to the company located in the heart of Brianza. Alongside architect Piero Lissoni, designers of international caliber have been involved over the years, who share the design trait and approach with the company. At the same time, the collection is enriched by projects of young talents who have come to the company through a precise work of talent scouting among the new generation of design. More than 50 years after its foundation, with over 60 employees, the presence in Altagamma, and an ever-growing global network, Living Divani is today a Company with a strong international reputation: a brand always consistent with its philosophy of rigor and clean lines, which has succeeded in reaching across the world of design with its own genuine and individual interpretation.