Driade - Mingx stool orange

The design of the Mingx collection comes from the same tubular profile that also inspired the Zigzag bookcase, and is developed into a wide family of elements: seats and stools, which establish a harmonious reciprocal dialogue that also extends to the library. The name Mingx clearly refers to the Ming dynasty that most influenced the progress of Chinese culture, turning China into the heart of Eastern trade.

Konstantin Grcic

Konstantin Grcic defines function in human terms, combining formal strictness with remarkable mental acuity and humor. Each of his products is characterized by a careful research into the history of design and architecture and his passion for technology and materials. Known for pared-down pieces, Grcic is often called a minimalist but the designer himself prefers to speak of simplicity. The KGID studio is located in the center of Munich, in southern Germany, where 6 product designers and 1 personal assistant work. The studio specializes in several fields of design, ranging from furniture design to commissioned works such as architectural projects. The languages of communication are German, English, French, Italian and Spanish.

Driade

Driade; is an aesthetic workshop in the continuous search for beauty in living. The extensive catalogue includes furniture for the home, garden and collective spaces. They are objects of art and daily use, souls combing harmoniously. All this makes Driade unique in design world. The aesthetic laboratory is the result of the desire to introduce experimentation into mass-produced products. The pursuit of creativity in every product constitutes the goal of the enterprise. Driade creates products that are unique, eclectic, eccentric but at the same time elegant, timeless and, above all, joyful. The art of living is based on the idea that eclecticism, mélange of cultures, curiosity and surprise are the true essence of our age. Being permeable to differences makes Driade project a highly topical proposal one that is open to the future. Driade also denies the flattening of globalization but senses its vitality and freshness resulting from the multiplication of places and the development of ideas.