Driade - 33 Cuscini pouf

But how many cushions do you need to make a pouf? 33, would answer Paolo Rizzatto! it. Metaphorically speaking, the upholstered back to the origin of its evolutionary path when it was nothing more than a series of cushions resting on the ground or on a bench. The designer "locks" the cushions, makes them "structural" and thus invents a new form of macro capitonné where every single module retains a precise identity.

Paolo Rizzatto

In 1978, Paolo and Riccardo Sarfatti founded Luceplan. In addition to his architecture and design work, he has taught at several institutions worldwide, including Columbia University in New York, Politecnico di Milano University in Milan, Cranbrook Art Center in Detroit, Washington University in Saint Louis, Architecture Institute in Moscow, and Architects Association in Saint Petersburg. He continues to develop experience as a lighting designer and has become an icon in the fields of architecture, designer and interior design. Paolo Rizzatto’s lighting pieces have been awarded numerous awards, including three “Compasso d′Oro,” the Design Plus Ambiente, the Red Dot Award Design Innovations, and a Good Design Award by the Chicago Athenaeum Museum.

Driade

Driade; is an aesthetic workshop in the continuous search for beauty in living. The extensive catalogue includes furniture for the home, garden and collective spaces. They are objects of art and daily use, souls combing harmoniously. All this makes Driade unique in design world. The aesthetic laboratory is the result of the desire to introduce experimentation into mass-produced products. The pursuit of creativity in every product constitutes the goal of the enterprise. Driade creates products that are unique, eclectic, eccentric but at the same time elegant, timeless and, above all, joyful. The art of living is based on the idea that eclecticism, mélange of cultures, curiosity and surprise are the true essence of our age.
Being permeable to differences makes Driade project a highly topical proposal one that is open to the future. Driade also denies the flattening of globalization but senses its vitality and freshness resulting from the multiplication of places and the development of ideas.