Panna Cotta low table oval or round. At once delicate and heavy, the paradox lies in the use of materials such as marble and iron to achieve a fragile stability. The price refers to the matt white lacquered version with white Carrara marble.
Molteni - Panna Cotta white round coffee table D40 H50
Table top with a slender steel wire structure stabilized with a marble counterweight. The table is characterized by the slight vibration of the top resulting from the elasticity of the structure.
Panna Cotta low table oval or round. At once delicate and heavy, the paradox lies in the use of materials such as marble and iron to achieve a fragile stability.
A small table, it has a slight wave on top reminiscent of the typical Italian soft dessert, from which it takes its name.
Ron Gilad
Ron Gilad was born in Tel Aviv in 1972. After a few years in New York, he lives and works in Tel Aviv and Milan. Ron Gilad’s hybrid objects combine a practical ingenuity with an aesthetic effect which and are placed on a boundary between the abstract and functional. When he was asked to collaborate with Molteni&C, Ron Gilad initially wondered if he should behave as a designer or just be himself in the most authentic way. He found his answer by creating a connection between his more abstract and artistic ideas and commercial industry mechanisms and converting them into ingenious design products.
In Italy he works with companies such as Flos, Adele-C, De-Castelli, Dilmos, Salvatori, Nodus and, of course, Molteni&C. His works appear in solo exhibitions, such as the one in Tel Aviv Museum of Art, and in numerous collective exhibitions. They are part of the Israeli public collections and abroad such as the Museum of Modern Art and the Metropolitan Museum in New York. In 2013 he received the Wallpaper Design Award (Designer of the Year; Best Domestic Design) and Elle Décor International Design Award (Designer of the Year; Furniture Design).
Molteni
Angelo Molteni, born in 1912, began his entrepreneurial activity in Giussano, now the province of Monza and Brianza, the furniture district. His workshop becomes, in a short time, synonymous with high quality product. The 60s began in the best way, in fact Angelo Molteni is in the founding committee of the first Salone del Mobile in Milan, which opened on 24 September 1961 with great success. This is the decade of the revolution: in a few months, the production is converted from classic to modern, to create well-designed furniture, designed for the series. Luca Meda, a student of the Ulm School, is the man of the revolution, his Iride containers presented at the Salone del Mobile in 1968. From the 70s until today, Molteni grows, is renewed and concretizes in a definitive way its value, and the undisputed style in the world panorama. In 2008 the distribution expanded beyond the Italian borders and was structured with foreign branches. New molteni&c | Dada monobrand stores are opening: about 600 in the world, including 40 Flagship Stores, also present in the largest international design metropolises such as London and New York. Moltenigroup.com is born, the web address of the new website of the Molteni Group. Key words are narration, inspiration, contemporaneity of molteni&c and Dada brands. As of April 2016, Belgian architect and designer Vincent Van Duysen has been appointed creative director of molteni&c and Dada. After the success of the Gliss Master wardrobe collection, the new collaboration focuses on image coordination and the retail concept.
- Brand
- Molteni
- Designer
- Ron Gilad
- Structure Finish
- Carrara white marble
painted steel - Top finish
- painted steel
- Colour
- white