Molteni - Sedia Woody

A solid solid wood structure in two variants, Natural Ash and Ash stained black, characterized by lines harmoniously joined on which are placed seat and back also of wood or covered in regenerated leather.
The construction solution without any screws made entirely by joints produces a uniform and light image.

It is by Francesco Meda, at his debut as a designer for molteni&c, the project of this chair with fluid shapes that invite you to sit down and have a pleasant conversation with friends around a table. This is how Francesco Meda summarizes the philosophy of the project: "My attention is focused on obtaining "aerial" sections. This is to minimize the material used, not wasting wood which is a "precious" material.

Francesco Meda

Francesco Meda, born in Milan in 1984 and graduated in 2006 from Milan’s Istituto Europeo of Design in Industrial Design.

After graduating, he started his experience in London working at Sebastian Bergne’s studio and later at Ross Lovegrove's. Since his return to Milan in 2008, he has been collaborating with his father Alberto Meda on projects for clients such as Kartell and Caimi Brevetti. 

Concurrently he has been pursuing his own personal Art and Design projects with other companies such Nilufar Gallery, Hong Kong’s Schoeni Art Gallery, Henraux, Rossana Orlandi Gallery, Mint Gallery in London, Kartell, Tods.

His “Orme Cinesi” collection, which has been extensively published, was exhibited in Hong Kong at the Lane Crawford store, and was presented by Schoeni Art Gallery during the 2012/2013 Hong Kong ART fair.

In 2013 he co-designed "Flap", an acoustic panel produced by Caimi Brevetti which subsequently won the "Compasso d'Oro" award. In the same year he began his own production with objects such as LED lamps, marble tables, benches and 3D printed jewelry. Bridge lamps and the 3D jewelry series are part of the Triennale Design Museum collection.

Molteni

Molteni; Angelo Molteni, born 1912, set up his own business in Giussano, today in the province of Monza and Brianza, a furniture district. His artisan workshop soon became a byword for top-quality products.

The workforce of the Giussano business already numbered over 60 people. “Arredamenti di Angelo Molteni” was developing fast, less of an artisan workshop and more of a industry. 

In 1955 Molteni took part in the first “Mostra Selettiva – Concorso Internazionale del Mobile” in Cantù, with a design by Swiss architect Werner Blaser, which won the first prize. The chest of drawers, with a 3-fork geometric joint, was the first prototype of a modern piece of furniture.

In 1959 conquered a double podium at the Cantù Mostra Selettiva, with designs by Yasuhiko Itoh and Donato D’Urbino and Carlo Volonterio, two avant-garde bookcases.

The 60’s started in the best way, indeed, Angelo Molteni joined a group of entrepreneurs to promote Milan’s first Salone del Mobile, the highly successful furniture fair that made its debut on 24 September 1961.

This is the decade of the revolution: in just a few months, manufacturing switched from classic to modern, well-designed furniture suitable for mass production. Luca Meda, an Ulm School graduate, was the man of the revolution, his Iride storage units were presented at the 1968 Salone del Mobile.

Afra and Tobia Scarpa made their debut in Giussano and Turate. For thirty years they designed successful buildings and furniture, distinguished by highly refined details.

In 1975 Molteni&C enters the Contract world, with a furniture supply to Saudi Arabia, which will make it the undisputed leader of "turnkey" solutions.

In 1980 enters Aldo Rossi, a partnership that was to last almost 20 years, with highly acclaimed designs, such as the Teatro series with Luca Meda , the Carteggio desk, the Milano chair, the Cartesio furniture and the Parigi armchair.

In the nineties, Molteni&C communication evolved with the arrival of the Swiss graphic designer Felix Humm, who redrew the Molteni&C logo and created a new look for our institutional and commercial communication.

In 2003 the Gran Teatro La Fenice is inaugurated in Venice, rebuilt according to Aldo Rossi’s design, with the wooden parts made by Molteni&C and the following year Molteni&C , to support its international expansion, created the Divisione Imbottiti [Padded Furniture] and, within the space of just a few years, it has become one of the world’s leading manufacturers with designs by Patricia Urquiola, Ferruccio Laviani, Rodolfo Dordoni, Hannes Wettstein and Ron Gilad, just to mention a few.

In 2008 the distribution has extended beyond the Italian borders and became international. New stores dedicated to the Molteni&C | Dada brand have opened: about 600 stores worldwide including 40 Flagship Stores, also present in the most important international design metropolis such as London and New York.

In 2015, Gruppo Molteni celebrated 80 years in the business with an exhibition at Milan’s Galleria d’Arte Moderna, 80!Molteni. Curated by Jasper Morrison and with graphic design by Studio Cerri & Associati, for the first time prototypes and furniture made by all the Group’s companies narrate 80 years’ experience, quality and innovation. The exhibition has become the nucleus of the Molteni Museum in Giussano.

MolteniGroup.com is the Molteni Group’s new website address. Key words are storytelling, inspiration and the contemporaneity of the Molteni&C and Dada brands. Starting from April 2016 the Belgian architect and designer Vincent Van Duysen is appointed Creative Director of the Molteni&C and Dada brands. After the success of the Gliss Master wardrobe system the new partnership will focus on coordinating the brands’ image and retail concept.

In 2018 New York first Molteni Group "Lifestyle Store". The Molteni Group opened a new window on the world in the heart of Manhattan, at 160 Madison Avenue. The spirit of a unique, evolutionary project, in line with modernity and true to its own stylistic principles, designed by Vincent Van Duysen. This was the first Flagship Store in the world to combine the Group’s three brands: Molteni&C, Dada, and UniFor.