After the graphics and painting of the beginning, Mora in the 90s enthusiastically embraces practices and theories of radical design. From this moment, the gallery Dilmos of Milan, will become for him a gym design and an ideal place to present its “unique” objects / sculptures in the balance between function and form dystrophies. In those years, Mora is exercised and explore the expressive possibilities of iron which combines wood and river stones met in its regular pilgrimages along the Apennine rivers.
