A natural shape that has always been a symbol of perfection, in which symmetry and asymmetry coexist harmoniously. Designed in 1972, the shell contains a light source: an ironic idea that still conquers today.
A natural shape that has always been a symbol of perfection, in which symmetry and asymmetry coexist harmoniously. Designed in 1972, the shell contains a light source: an ironic idea that still conquers today.
A natural shape that has always been a symbol of perfection, in which symmetry and asymmetry coexist harmoniously. Designed in 1972, the shell contains a light source: an ironic idea that still conquers today.
Outdoor table or floor lamp with dimmable diffused light. Opaline satin white polyethylene diffuser made with rotational moulding. Stainless steel frame. Black power cord. Plug of type schuko.
Cell emulates the structure and spirit of a Chinese lantern, a romantic light cage made with a thin white or bronze metal wire watertight. The lampshade is a bright heart of linen
Vanga, Forcone and Rastrello become original lights for indoors or outdoors: drawing on the peasant imagination of the countryside, they are reinterpretations of everyday work tools that retain the archetypal shapes modeled in matt white technopolymer.
Evocative plays of light filtered by the dome reflector of Black Out, floor lamp designed by Matteo Ugolini for Karman.
Available as a pendant in two sizes or as a floor lamp, both in indoor and outdoor versions.